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Pandora Unboxed

Closeup of Pandora by John Dickson Batten. The closeup has Pandora, as a nude statue, in the centre. Hephaestus, with his left elbow on a bent left knee, is on the left of the artwork and Athena holding an orange cloth is on the right.

An Exhibition by the Youth Panel

From September to December 2024, young people in Reading (the Youth Panel) met one evening each month to respond to, and reinterpret, Pandora by John Dickson Batten. They discussed the original Greek myth of Pandora and considered the ways in which this artist chose to represent her story.

Many questions were asked: Why is Pandora naked? Why is the blacksmith, Hephaestus, gazing at her so intently? Why is the woman dressed in blue looking at us?

Inspired by Pandora, the Youth Panel created individual, artistic responses to this painting using egg tempera – the original paint medium that Batten chose in the early 20th century. They also took on the role of Art Curators, organising the layout of this exhibition and writing their own labels.

What do you think of their re-interpretations? Has Pandora been unboxed?

Our Youth Panel, for young people aged 14 – 18, offers collective opportunities across The MERL and Reading Museum as part of Museums Partnership Reading’s programme, supported by Arts Council England.

Museums Partnership Reading (MPR) and Arts Council Logo

 

Painting of beige box with blue decorations and a hand on either side. The background is red and white.

Pandora’s Box

In Greek mythology, Pandora’s box was a gift from the gods to Pandora, the first woman on earth. It contained all the evils of the world, which were released when Pandora opened the box. Instead of focusing on the figure of Pandora (as many other artists in this exhibition did) Eva has chosen to concentrate on Pandora’s box.

‘Pandora’s box’ is used today a metaphor for something that brings about great troubles or misfortune, but also holds hope.

Unfinished portrait of a head, with black outline. The head has black eyes and is surrounded in the background by colour blocks, ranging from blue to red.

The Secret Lives of Colour

In my depiction of Pandora, I wanted to experiment with the medium of egg tempera, which I haven’t used before. I used every possible colour that was on offer, creating a rainbow-like background. My Pandora does not have a mouth, symbolising the fact that she is often voiceless.

Painting of a women with blue eyes and blue background.

Untitled

Phillippa (our Head of Learning and Engagement) helped facilitate the Youth Panel workshops. She had not experimented with egg tempera before and chose to focus on Pandora’s face.

Painting of reddish-brown box with the lid open and red contents. The background is abstract.

Box of Doom

Hola Amigos! Here is my artwork.

My art piece shows the doom and the evils of the world which Pandora released when she opened her box. Once opened, Pandora’s fate could not be reversed.

An abstract painting with gold and blue circles across the background. Gold shape in the centre.

Abstract Interpretation

I chose to depict the creation of Pandora as the texture and colour of the blue reminded me of the night sky, reminiscent of Ancient Greek pottery too.

The myth varies on the topic of her creation, but one thing that all retellings have in common is that she was formed in space by the gods, so I have made an abstract piece in an attempt to show that.

Painting of a woman standing in a brown box. She is surrounded by painted flames in blue, red, orange and green. The background is pale blue and green.

The Light Within the Darkness

Drawing from John Dickson Batten’s painting, I have depicted Pandora in the same statuesque pose as when she was first formed from clay. Different to this representation of Pandora in the nude, however, I have clothed her in orange and blue fabric to make her appear less vulnerable. I consciously aligned the colour of the fabric with Batten’s to achieve the same eye-catching result. I have surrounded Pandora with the evils she unleashed from her box onto Earth, carefully layering the darker paint with a lighter shade, to symbolise the sense of hope that follows each misfortune.

Painting of a woman in a golden wheelchair, wearing red. Next to the figure is a red box with the words "Normal, Ordinary, Regular, Amazing" on the front.

Pandora in a Wheelchair

The story of Pandora is about a girl created by the Greek Gods. I have chosen to depict Pandora in a golden wheelchair to symbolise the beauty in her disabled body and that there is nothing ‘wrong’ with her as the non disabled so often view us. Does she have hair or not? This is to celebrate different bodies and how everyone’s unique appearance should be celebrated.

The words around the outside challenge the viewer to reconsider what they associate with being disabled and encourage them to normalise it. For this reason, I decided to call the girl Nora.

Painting of a black woman with three highlights in her dark hair, wearing a yellow top. In the background there is blue at the top and flames at the bottom of the artwork.

Of The Earth

In the myth, Pandora was created as the first woman. She was created by Hephaestus out of earth. As homo sapiens originated in Africa, I was inspired to depict Pandora as a Black woman.

The background is also inspired by Pandora’s origin. As she was created by Hephaestus, God of fire and blacksmiths, Pandora is framed by the flames of his forge. Blue light reaches down as the gods bestow their gifts upon Pandora.

Two standing figures. The one of the left is only outlined with their head tilted towards the second figure and their hand holding onto the shoulder of the second figure. The second figure is looking to the left and is rendered in soft pinks.

Whispers of Pandora

The myth of Pandora is often seen as the origin of evil in the ancient world. Much like Eve in the Creation story, who ate the forbidden fruit, women have long been blamed for bringing sin and suffering into the world.

Pandora’s characterization is one-dimensional, her fate sealed from the moment of her birth. As the first mortal woman, how could she not resent the blame forced upon her? How could she accept that the only gift of humanity bestowed upon her led only to her destruction?

In my artwork, I depict both the Pandora created by the gods and her true self. I used eyeshadows as pigment to create a dreamlike, ethereal effect, symbolizing her beauty and fragility. The ‘true’ Pandora is rendered with a solid outline created by an oil marker, embracing herself in sympathetic self-reflection. While the gods may remain oblivious to her inner voice, through this painting, you might hear her thoughts.

Painting of a woman's head tilted down and to the left. The background is made up of a collage in red, blue and pink.

Pandora’s Collage

For my piece, I have focused on Pandora’s face. In the original painting, she is depicted using muted colours. However, in mine, I have incorporated some of the more vibrant colours that were in the painting. I have added colours to her likeness too, in order to create a livelier portrait.